Bladmuziek

Oorspronkelijk

Nunc Dimittis Quarti Toni "Quia Viderunt". Cristóbal de Morales , arr. Hackett. A cappella. Sacred , Evening Canticles. Language. Latin. SATB.

Vertaling

Nunc Dimittis Quarti Toni "Quia Viderunt". Cristóbal de Morales , arr. Hackett. A cappella. Heilig, Avond Hooglied. Taal. Latin. SATB.

Oorspronkelijk

Adapted from the Morales Magnificat Quarti Toni "Anima Mea". Intended to be sung with the Morales Magnificat Quarti Toni "Et Exultavit" at Evensong. A suitable edition of the Magnificat. David Wendell is available as CPDL #12013 under the same licence as this arrangement. Word placing, ficta and intonations are suggestions only. The even verses in this arrangement come from some of the odd verses in the source. This has been done to make a better fit with the Magnificat "Et Exultavit". When these two are sung together, the whole of the Morales' music for the Gloria Patri will be heard over the course of the two works, albeit with a re-distribution of the words. In all sections, some splits and merges of notes have been made to better fit the different words. "Quia viderunt oculi mei" comes from the original "Et Misericordia Eius". This section is cut in the middle to cope with the shorter words, while preserving the cantus firmus. "Lumen ad revelationem gentium" comes from the original "Suscepit Israel". "Sicut Erat" comes from the original "Gloria Patri". The time in the last two bars has been doubled to make a suitable ending for the piece.

Vertaling

Adapted from the Morales Magnificat Quarti Toni "Anima Mea". Intended to be sung with the Morales Magnificat Quarti Toni "Et Exultavit" at Evensong. Een geschikte editie van het Magnificat. David Wendell is available as CPDL #12013 under the same licence as this arrangement. Woord plaatsing, ficta en intonaties zijn slechts suggesties. De zelfs teksten in deze opstelling komen van sommige van de vreemde teksten in de bron. Dit is gedaan om een ​​betere pasvorm te maken met het Magnificat "Et Exultavit". Wanneer deze bij elkaar gezongen, zal de gehele Morales muziek voor de Gloria Patri worden gehoord in de loop van de twee werken, zij het met een herverdeling van de woorden. In alle secties, hebben sommige splitsingen en samenvoegingen van aantekeningen gedaan om beter te passen bij de verschillende woorden. "Quia Viderunt oculi mei" is afkomstig van de originele "Et Misericordia Eius". This section is cut in the middle to cope with the shorter words, while preserving the cantus firmus. "Lumen ad revelationem gentium" komt van het originele "Suscepit Israël". "Sicut Erat" komt van het originele "Gloria Patri". The time in the last two bars has been doubled to make a suitable ending for the piece.