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Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

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Cantata No 129. Gezegend zij de Heer, mijn God, BWV 129 was. Johann Sebastian Bach. Voice bladmuziek. Koor bladmuziek. Pianobegeleiding bladmuziek.

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Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Bach Gesellschaft Ausgabe. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Dorffel. Arranged by Bernhard Todt. Choir and piano. For SAB vocal soli, SATB choir, piano. This edition. Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period. Sacred. Hymns, German. Vocal Score. 40 pages. Published by Serenissima. SA.19689. ISBN 9781932419689. Baroque Period. Sacred. Hymns, German. 6.69 x 9.61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.

Vertaling

Cantata No 129. Gezegend zij de Heer, mijn God, BWV 129 was. Bach Gesellschaft editie. Gecomponeerd door Johann Sebastian Bach. 1685-1750. Bewerkt door Alfred DORFFEL. Georganiseerd door Bernhard Todt. Koor en piano. Voor SAB vocale soli, SATB koor, piano. Deze editie. Paperback. Sacred Cantata, originele werken, burgerlijke stand, Choral. Barok Periode. Heilig. Hymns, Duits. Vocal Score. 40 pagina's. Gepubliceerd door Serenissima. SA.19689. ISBN 9781932419689. Barok Periode. Heilig. Hymns, Duits. 6.69 x 9.61 inch. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.