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Oorspronkelijk

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Vertaling

Gabriel Faure. Les Djinns, Op. 12 voor koor en piano. Bladmuziek. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Faure.

Oorspronkelijk

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Vertaling

Omdat het zo'n vruchtbaar componist, met name voor zang en piano werken, wordt Gabriel Fauré 's muziek altijd aangepakt met hoge verwachtingen. His Les Djinns for SATB choir and Piano is no exception. Faure. 1845-1924. begon het ontvangen van hoge kwaliteit muzikale instructie vanaf de leeftijd van 10 aan de Niedermeyer School. Hij werd uiteindelijk een piano leerling van Camille Saint-Saëns. Carrière Fauré 's zag hem op te volgen Théodore Dubois als organist in de kerk van Madeleine in Parijs en word professor compositie aan het Conservatorium van Parijs, al die tijd componeren sublieme werken. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.