Bladmuziek $12.55

Oorspronkelijk

Lili Boulanger. Deux Morceaux Pour Violin Et Piano. Sheet Music. Violin, Piano. VLN. PFA. Lili Boulanger. --.

Vertaling

Lili Boulanger. Twee stukken voor viool en piano. Bladmuziek. Viool, Piano. VLN. PFA. Lili Boulanger. --.

Oorspronkelijk

Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure, somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful, delicately coloured, and touching. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by an low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.

Vertaling

Lili Boulanger was de zuster van de beroemde leraar Nadia Boulanger, die van Aaron Copland, Elliott Carter en Philip Glass leerde oa. Ze was een componist voor de laatste 10 jaar van haar tragisch korte leven - ze overleed op 25 - en haar muziek staat in de belangrijkste lijn van de Franse muziek geïllustreerd door Faure, enigszins getint met de invloed van Debussy's Impressionisme. Het is over het algemeen mooi, delicaat gekleurd, en ontroerend. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by an low octave from the piano. De Cortege is meer levendig zonder snel. Verschuiven ritmische accenten, lastige afdalingen en contrasterende dynamiek maken dit een spannend stuk.