Instrumenten
Ensembles
Opera
Componisten
Performers

Bladmuziek $44.12

Oorspronkelijk

Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

Vertaling

Peter Maxwell Davies. Job. Study Score. Bladmuziek. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

Oorspronkelijk

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

Vertaling

Als het bestellen van meer dan 10 exemplaren, bel ons dan op 44. 1284 725725 om beschikbaarheid te controleren. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. sopraan. , Linda Maguire. mezzo-soprano. , Paul Moore. tenor. en Kevin McMillan. bariton. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Net als Vaughan Williams in zijn baan. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. De bariton heeft het aandeel van de instelling van de leeuw, hoewel de andere solisten af ​​en versterken zijn pleidooi en koraal-achtige afleveringen universaliseren zijn hachelijke. Davies frames met werk met twee rudimentaire plainsong-achtige passages. er is ook volop dramatisch contrast zowel binnen monologen van Job en in de levendige orkestrale schrijven voor de smarmy Dekbedden, de aanvankelijk schrille God die uiteindelijk blijkt uit een schitterende orkestrale wervelwind en de dieren leven die hij gebruikt om de wonderen van de schepping te illustreren aan een vernederde Job..