Der Geist hilft unser Schwachheit auf, BWV 226 (Bach, Johann Sebastian)

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Publisher. Info. Composer's Manuscript, n.d.(1729)
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Editor Franz Wüllner (1832–1902)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 39 (pp.143-56)
Leipzig: Breitkopf und Härtel, 1892. Plate B.W. XXXIX.
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Editor Konrad Ameln (1899–1994)
Gottfried Wolters (1910–1989)
Publisher. Info. Wolfenbüttel: Möseler Verlag, n.d.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A6400.
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Editor Konrad Ameln (1899–1994)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 1 (pp.37-74)
Kassel: Bärenreiter Verlag, 1965. Plate BA 5026.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Parts

8 more: Choral I: Altos/Violins II • Choral I: Tenors/Violas • Choral I: Basses/Cellos/Double Basses • Choral II: Sopranos/Oboe 1/Violins I • Choral II: Altos/Oboe 2/Violins II • Choral II: Tenors/English Horn • Choral II: Tenors/Violas • Choral II: Basses/Bassoon/Cellos/Double Basses

Editor Konrad Ameln (1899–1994)
Gottfried Wolters (1910–1989)
Publisher. Info. Wolfenbüttel: Möseler Verlag, n.d.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A6400.
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8 more: Oboe 2 • Taille d'hautbois (original, alto clef) • Taille d'hautbois (transposed, treble clef) • Bassoon • Violins I • Violins II • Violas • Cellos

Editor Rein de Vries
Publisher. Info. RECORDARE Publishing
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Misc. Notes Edited from NBA.
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Vocal Scores

Publisher. Info. Leipzig: Breitkopf und Härtel, 1893. Plate J. S. B. II. 2.
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Misc. Notes Royal College of Music Library, London (GB-Lcm): C950/8
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Editor Franz Wüllner (1832–1902)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 39
Leipzig: Breitkopf und Härtel, 1892. Plate B.W. XXXIX.
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PDF typeset by A. Armendáriz
Antonio (2007/3/28)

Editor Antonio Armendáriz
Language Spanish / German
Publisher. Info. Lodosa: Antonio Armendáriz Navarro
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Misc. Notes Alta calidad
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4 more: 2. Der aber die Herzen forschet • 3. Du heilige Brunst, süßer Trost • Engraving Files (Capella) • Engraving files (MusicXML)

Editor Fritz Brodersen
Publisher. Info. Fritz Brodersen
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Der Geist hilft unser Schwachheit auf (No.1)

For 2 Violins, 2 Violas and 2 Cellos (Bartoli)
Arranger Russ Bartoli (b. 1951)
Editor Peter Lang
Publisher. Info. Peter Lang, 2016.
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For 4 Violins, 2 Violas and 2 Cellos (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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'Der Geist hilft unser Schwachheit auf' (No.1 Part 2)

For String Quintets (Bartoli)
Arranger Russ Bartoli (b. 1951)
Editor Peter Lang
Publisher. Info. Peter Lang, 2016.
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Der aber die Herzen forschet (No.2)

For String Quartets (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2015.
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Du heilige Brunst, süßer Trost (No.3)

For String Quartets (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2015.
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Other

Du heilige Brunst, süßer Trost (No.3)

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.1.
Choräle und geistliche Lieder, Teil 1
(pp.18)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Misc. Notes From Dietel Sammlung as "Komm, Heiliger Geist, Herre Gott" (No.16). More details. 600 dpi. Page size is 10.00 x 12.688 inches.
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Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.2
Choräle und geistliche Lieder, Teil 2
(pp.38-39)
Kassel: Bärenreiter Verlag, 1996. Plate BA 5076.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes From Chorale der Sammlung C.P.E. Bach nach dem Druck von 1784-1787.
600 dpi. Page size is 10.00 x 12.688 inches.
2. As "Komm, Heiliger Geist, Herre Gott" (More details) (No.69)
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General Information

Work Title Der Geist hilft unsrer Schwachheit auf
Alternative. Title The Spirit comes to the aid of our weakness
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 226 ; BC C 2
Internal Reference NumberInternal Ref. No. IJB 235
Key B-flat major
Movements/SectionsMov'ts/Sec's 1 motet (in 3 sections):
  1. Der Geist hilft unser Schwachheit auf
  2. Der aber die Herzen forschet
  3. Du heilige Brunst, süßer Trost
Year/Date of CompositionY/D of Comp. 1729 in Leipzig
First Performance. 1729-10-20 (or 24) at the Paulinerkirche, Leipzig
First Publication. 1803 in Leipzig
Librettist Martin Luther (1483–1546)
Bible, Romans 8: 26–27
Language German
Dedication Funeral of Johann Heinrich Ernesti
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 mixed choruses (SATB/SATB), orchestra (colle parta)
InstrDetail Chorus I: 2 violins, viola, cello
Chorus II: 2 oboes, taille d'hautbois, bassoon, continuo (violone and organ)
Manuscript Sources Bach Digital (source list)
External Links Bach-Cantatas.com
Wikipedia article

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Motets by Johann Sebastian Bach