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Bladmuziek
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From First To Last

Top
...And We All Have A Hell
A Perfect Mess
Be-Headed (Marathon Man)
Deliverance!
Everything'S Perfect
Goodbye Waves
Top
Heroine
I Once Was Lost But Am Now Profound
In Memorium In Advance
Medicinal Reality
Mothersound
The Crows Are Coming For Us
Top
The Latest Plague
The Levy
The Other Side
Tick Tick Tomorrow
Two As One
We All Turn Back To Dust
. - C
...And We All Have A Hell
A Perfect Mess
A Soft War
Afterbirth
Be-Headed (Marathon Man)
Cashing Out
C - D
Chelsea Hotel
Christmassacre
Chyeaaaaa!
Day By Day
Deliverance!
Demo
E - F
Elvis Said Ambition Is A Dream With
Emily
Everything'S Perfect
Failure By Designer Jeans
Featuring Some Of Your Favorite Wor
For The Taking
G - I
G.R.I.T.S.
Going Lohan
Goodbye Waves
Heroine
Hidden Track
I Liked You Better Before You Were
I - M
I Once Was Lost But Am Now Profound
I'Ll Inoculate The World With The V
In Memorium In Advance
Kiss Me, I'M Contagious
M.O.
Medicinal Reality
M - P
Minuet
Mothersound
My Heart Your Hands
Note To Self
Now That You'Re Gone
Populace In Two
R - S
Regrets And Romance
Ride The Wings Of Pestilence
Save Us
Secrets Don`T Make Friends
Shame Shame
Soliloquy
S - T
Such A Tragedy
The Crows Are Coming For Us
The He Man Woman Haters Club
The Latest Plague
The Levy
The One Armed Boxer Vs. The Flying
T - W
The Other Side
Tick Tick Tomorrow
Two As One
Ultimatums For Egos
Waltz Moore
We All Turn Back To Dust
W
When Flying Feels Like Falling
World War Me
World'S Away
X12 Days Of Xxxmasx
You, Me, And The Significant Other
Bladmuziek
Oorspronkelijk: William Byrd. some solemne, other joyfull, framed to the life of the Words. to this writer.

Vertaling: Unless Byrd had access to pre-publication copies of the Primer.

Bladmuziek
Oorspronkelijk: Summi triumphum regis I. A “sequentia” for the Ascension transcribed from the Trent manuscripts tr89. Anonymous. A cappella. Latin.

Vertaling: Anoniem. Heilig, Sequence hymne voor Hemelvaart. Taal. ATT. 3 vs.

Bladmuziek
Oorspronkelijk: Summi triumphum regis II. A “sequentia” for the Ascension transcribed from the Trent manuscripts tr93. Anonymous. A cappella. Latin.

Vertaling: The time signature is missing in both the voices, the “tempus perfectum” has been assumed from the context. Anoniem. Taal. TB.

Bladmuziek
Oorspronkelijk: Dum transisset Sabbatum. From a manuscript in the library of Christ Church, Oxford. Robert Johnson. A cappella.

Vertaling: Heilig, Motet. Taal. Latin. SATBarB. Uit een manuscript in de bibliotheek van de Kerk van Christus, Oxford.

Bladmuziek
Oorspronkelijk: Dum transisset Sabbatum. From a manuscript in the library of Christ Church, Oxford. Robert Johnson. A cappella.

Vertaling: Heilig, Motet. Taal. Latin. SATBarB. Uit een manuscript in de bibliotheek van de Kerk van Christus, Oxford.

Bladmuziek
Oorspronkelijk: Single chant "Dixit Dominus". Adaptation of Satie's Dixit Dominus , from his Messe des Pauvres. Erik Satie. Organ or a cappella.

Vertaling: Orgaan of a capella. Heilig, Anglicaanse chant. SATB. Aanpassing van Satie's Dixit Dominus, uit Zijn Massa van de Armen.

Bladmuziek
Oorspronkelijk: Gesang der Mönche. After each line is sung there is a brief pause, which contributes effectively to the somber atmosphere.

Vertaling: , Beethoven was suffering from a lingering illness, first contracted in October, 1816. Ludwig van Beethoven. A cappella.

Bladmuziek
Oorspronkelijk: Opferlied, Opus 121b. The poem first appeared in 1790, so Beethoven may have known the text while he lived in Bonn.

Vertaling: Ludwig van Beethoven. Plan. Seculiere, Lied. Taal. Duits. SSATB. 1761-1831. "Opferlied". Song van het Offer.

Bladmuziek
Oorspronkelijk: Petite Messe Solennelle. This work was Rossini's last major composition and dates from 1863. First performed 1864.

Vertaling: The work is dedicated to the Comtesse. piano version may be thought to be the best. Gioachino Rossini.

Bladmuziek
Oorspronkelijk: Single chant "Dixit Dominus". Adaptation of Satie's Dixit Dominus , from his Messe des Pauvres. Erik Satie. Organ or a cappella.

Vertaling: Orgaan of a capella. Heilig, Anglicaanse chant. SATB. Aanpassing van Satie's Dixit Dominus, uit Zijn Massa van de Armen.

Bladmuziek
Oorspronkelijk: This is Australia. When I began working on my entry to the ROCS composition competition I. struggled to find suitable text.

Vertaling: Eventually I thought “Hang on, this is supposed to. Firstly, to create a light and. Secondly, to.

Bladmuziek
Oorspronkelijk: Deconstruct a chrysalis. This piece is dedicated to Leanne,. In setting the poem I have tried to capture the violence.

Vertaling: The poem is about the futility of using reductionism in an attempt to understand life, and the universe. Michael Winikoff. Taal.

Bladmuziek
Oorspronkelijk: Opferlied, Opus 121b. The poem first appeared in 1790, so Beethoven may have known the text while he lived in Bonn.

Vertaling: Ludwig van Beethoven. Plan. Seculiere, Lied. Taal. Duits. SSATB. 1761-1831. "Opferlied". Song van het Offer.

Bladmuziek
Oorspronkelijk: Europe. This whole composition was first published in 1770, titled Europe, but with different words. , with a change to 3. 86.

Vertaling: In 1770, the first portion was in cut time. from Isaac Watts' Hymn 7 of 1709. William Billings. A cappella.

Bladmuziek $2.45
Oorspronkelijk: i thank You God for most this amazing day. The revised publication herewith replaces the one from 2001. Eric Whitacre. 1970-.

Vertaling: Ik dank u God voor de meeste van deze geweldige dag. A Cappella bladmuziek. 1970 -. Voor Choral. SATB DV A Cappella. Walton Choral.

Bladmuziek $3.14
Oorspronkelijk: Craig McLeish. A Gaelic Blessing. Novello New Choral Series. Sheet Music.

Vertaling: Bladmuziek.

Bladmuziek $3.14
Oorspronkelijk: Jeremy Thurlow. Of Noblest Cities. Novello New Choral Series. Sheet Music.

Vertaling: Van Edelste Steden. Bladmuziek.

Bladmuziek $3.14
Oorspronkelijk: Harriet Wybor. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.

Vertaling: Lully, Lullay. Novello New Choral Series. Bladmuziek. SATB. SATB.

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