Raoul Pugno
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2 ValsesA
Amours brèvesAndantino in A minor for Horn and PianoAubadeB
Boléro oriental, Op.11C
Caprice badinChanson de berceauCloches du souvenirConcertstückD
DuettoE
EsquisseEsquisses musicalesG
Gavotte No.1I
Impromptu-valseImprovisataL
La danseuse de cordeLa Petite PoucetteLe sosieLe valet de cœurLes soirsLibelluleM
MarivaudageMazurka de concert No.3Mazurka No.1N
NinettaP
Petite valsePièce à déchiffrerPour le drapeauR
Rêverie orientaleRomance et scherzettoRomance sans parolesS
Solo for Horn and PianoSouvenir de Sainte GenevièveSouvenirs d'enfance, Op.8T
TricotetsV
Valse mineureWikipediaStéphane Raoul Pugno (23 June 1852 – 3 January 1914 [O.S. 21 December 1913]) was a French composer, teacher, organist, and pianist known for his playing of Mozart's works.
Raoul Pugno was born in Paris and was of Italian origin. He made his debut at the age of six, and with the help of Prince Poniatowski he was then able to study at the École Niedermeyer. He then went to the Paris Conservatoire at age 14, where he shone. He won First Prize in Piano in 1866 (his teacher being
Georges Mathias, a pupil of
Frédéric Chopin), First Prize in Harmony and First Medal for solfège in 1867 (his composition teacher being
Ambroise Thomas), and First Prize in Organ in 1869 (his teacher was
François Benoist). He was appointed Director of Music at the Opéra by the Paris Commune of March–May 1871. At the grand re-opening of the Opéra, two of his works were performed.
He was organist at the Church of Saint-Eugène, 1872–92, chorus master at the Théâtre Ventador in 1874, and Professor of Harmony at the Conservatoire 1892–96 and Professor of Piano 1896–1901.
He remained a pedagogue until 1893, when he was over 40. One of his notable pupils was Léo-Pol Morin. He then decided to resume his career as a concert pianist, commencing with the
Piano Concerto in A minor by
Edvard Grieg. At a small-scale performance of
Richard Wagner's
Das Rheingold in 1893, Pugno and
Claude Debussy provided an accompaniment on two pianos. He had a brilliant career, travelling throughout Europe and to the United States, where American composer
Marion Bauer acted as guide and translator for Pugno and his family.
He spent his summers at his home in Gargenville where he taught and entertained, often playing concertos and works for two pianos with Saint-Saëns and the young
Nadia Boulanger. He died in 1914 in Moscow, while on a concert tour of Russia. His compositions are no longer in the repertoire, but his legacy lives on through his students.
Pugno was the first internationally renowned pianist to make recordings. In 1903 he recorded pieces by
George Frideric Handel,
Domenico Scarlatti and Chopin and one of his own compositions, an Impromptu Valse. In a Chopin waltz, Pugno displays his famous jeu de perle technique. His other Chopin recordings include the Impromptu in A flat, Op. 29, Berceuse, Op. 57, Waltz in A flat, Op. 34 No. 1, and the Marche funèbre from the Sonata in B flat minor. Pugno's most important recording however, is that of Chopin's Nocturne in F sharp, Op. 15, No. 2, in which he plays the piece noticeably slower than the norm, a practice bequeathed to him by his teacher Georges Mathias, himself a student of Chopin. His most extended recording is that of
Franz Liszt's Hungarian Rhapsody No. 11. It is impetuous and exciting, and has Pugno pushing himself to the extremes of his abilities without any loss of control.