Vertaling: Anoniem. Blazersensemble. Seculiere, Motet. Taal. Latin. ATTBB. Getranscribeerd van de Koninklijke Deense Bibliotheek manuscript KB 1872.
Vertaling: 4 canons very loosely attributed to Mozart, including the "Alleluia" from K. 165 in an anonymous arrangement. not K 553. A cappella.
Vertaling: here, the melody is from Alfonso el Sabio's Ben Pode Santa Maria. Refrein van Euripides 'Hippolytos. Alfonso de Wijze. A cappella.
Vertaling: This is a solmisation of the vowels of the text, a technique called "soggetto cavato". mi la-rés. Josquin des Prez.
Vertaling: Kom Met Blij Hearts and Voices. Heilig, Hymn for Christmas Meter. Taal. Engels. SATB met discant door Douglas Walczak.
Vertaling: two lessons are set for solo voice, followed by the third for two equal voices. François Couperin. Basso continuo.
Vertaling: An SATB setting of the Lord's Prayer in Latin, using a contrapuntal style which relaxes toward a calm homophony at the end.
Vertaling: It is accompanied only by 2 oboes and 2 bassoons who follow the 4 voices colla parte. Seculiere, Opera. Taal.
Vertaling: Written for soprano, with the vocal in this sound file represented by a synth la-la female voice. Taal. Engels.
Vertaling: piano or other instruments could also be used, or the song could be sung a cappella. Seculiere, Unknown. Taal. Engels.
Vertaling: Written for female alto voice, though according to the voice charts it should also be within soprano range. Harp. Taal.
Vertaling: Vrouw synth la-la voice gebruikt voor vocale. Seculiere, Unknown. Taal. Engels. Solo Soprano.
Vertaling: Mijn muzikale setting voor Keats La Belle Dame Sans Merci. Flute gebruikt in dit geluidsbestand te simuleren voice. Harp. SA.
Vertaling: the sound file an accompanied arrangement as an example. Seculiere, Partsong. Taal. Engels. Unison.
Vertaling: In dit geluidsbestand wordt synth vrouwelijke la-la stem gebruikt voor het simuleren van de vocale. Jon Corelis. A cappella.
Vertaling: here, the melody is from Konrad von Würzburg's Winter. Refrein van Euripides 'Hippolytos. Jon Corelis. A cappella. Taal. Engels.
Vertaling: I've tried to show in the sound file how the pauses and tempi might be handled, but this can be varied ad lib by performers.
Vertaling: Juana Ines de la Cruz. A villancico described as "A 4", although the prosody was not completed for the tenor. Taal.